展览项目 • 「扫描景观」• 个展
EXHIBITION : Scanning Landscapes ,2020
这个系列使用了普通家用打印机的扫描功能拍摄而成。扫描仪能够随着仪器的运动或快或慢的记录下光的踪迹,我察觉到这是能够让光去“书写”的一种方法。我因此制作了一些用于扫描拍摄的装备，取用随时可拿起的东西，手电筒、灯泡、镜面，卡纸剪裁成各式切面，扫描仪像是是梦的入口，用日常之物捕捉印象中的世界。
“太阳未出时，全世界都像一个梦，唯有月亮是真实的；
太阳出来后，全世界都真实了，唯有月亮像一个梦。”
read more:︎展览回顾 | 周硕瑛：扫描景观 Scanning Landscapes
“太阳未出时，全世界都像一个梦，唯有月亮是真实的；
太阳出来后，全世界都真实了，唯有月亮像一个梦。”
read more:︎展览回顾 | 周硕瑛：扫描景观 Scanning Landscapes
For this series, pictures were taken using the scan function of domestic printers. Scanner records the traces of light as the instrument moves at various speeds, and I saw there a way to make light truly “write.” I produced some equipment for the scanning process, and utilized daily objects that could be easily accessed, such as flashlight, lightbulb, mirror, and card paper cut into various shapes; the scanner is like an entrance to dreams, capturing the world I remember through daily objects.
“Before sunrise, the entire world seems like a dream, and the Moon is the only thing real;
after sunrise, the entire world becomes real, only the Moon is like a dream.”
“Before sunrise, the entire world seems like a dream, and the Moon is the only thing real;
after sunrise, the entire world becomes real, only the Moon is like a dream.”
Sunrise Kingdom 日升王国
Sunrise Kingdom 日升王国
Before Moonrise 月未出
Seascape 海
Seascape 海
Trace 痕
Rainbow 虹
Trace 痕
Shadow of the moon 月影
展览现场Installation View
展览的所在地是杭州本十生活品牌RANDOM的大井巷空间
由AIR建筑事务所承接设计
使用编程建模曲面与参数化现代技术
以木构形式回应明清传统建筑形式
也为此次的展览改进与设计了有别于传统摄影作品装裱的工艺
图像一体成型在透明的PMMA材料中
使光线能够穿透图像投出倒影
输出为小尺幅的呈现方式 能够更细致地观看
read more:︎展览回顾 | 周硕瑛：扫描景观 Scanning Landscapes
由AIR建筑事务所承接设计
使用编程建模曲面与参数化现代技术
以木构形式回应明清传统建筑形式
也为此次的展览改进与设计了有别于传统摄影作品装裱的工艺
图像一体成型在透明的PMMA材料中
使光线能够穿透图像投出倒影
输出为小尺幅的呈现方式 能够更细致地观看
read more:︎展览回顾 | 周硕瑛：扫描景观 Scanning Landscapes
The exhibition is located in the Dajing Lane space of RANDOM, a lifestyle brand in Hangzhou. The design was undertaken by AIR Architects, employing parametric modern techniques and programmed modeling to create wooden structures that respond to traditional Ming and Qing architectural forms.
For this exhibition, a distinct framing technique was devised, different from the traditional framing of photographic works. The images are seamlessly embedded within transparent PMMA material, allowing light to pass through the images and project reflections in a smaller format, enabling a more intricate viewing experience.
For this exhibition, a distinct framing technique was devised, different from the traditional framing of photographic works. The images are seamlessly embedded within transparent PMMA material, allowing light to pass through the images and project reflections in a smaller format, enabling a more intricate viewing experience.
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